EP 25: 蓝调天后和唱片时代(「寻找正宗的蓝调」系列之七)

EP 25: 蓝调天后和唱片时代(「寻找正宗的蓝调」系列之七)

Published on Dec 22
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talich 闲侃
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蓝调诞生的年代,正好也是唱片刚刚成形的年代。唱片中记录的蓝调,很大程度上塑造了我们对当年的蓝调的理解。在 1920 年代,城市蓝调女歌手,也就是蓝调天后,成为了蓝调的代名词。在这期播客里,我们来聊聊这个现像是如何出现的,以及背后推动它成形的商业模式。 《talich 闲侃》,有闲得聊,关注美国流行文化史,网址:https://talich.fm 相关链接 主要参考文献 Abbott, L. & Seroff, D. (2017). The original blues: the emergence of the blues in African American vaudeville. University Press of Mississippi. Ed Komara, “Crazy Blues”—Mamie Smith (1920) Miller, K. H. (2010). Segregating sound: inventing folk and pop music in the age of Jim Crow. Durham: Duke University Press. Krasner, D. (2002). A beautiful pageant: African American theatre, drama, and performance in the Harlem Renaissance, 1910-1927 (1st ed). New York: Palgrave Macmillan. Wald, E. (2010). The blues: a very short introduction. New York: Oxford University Press. David Suisman, Co-workers in the Kingdom of Culture: Black Swan Records and the Political Economy of African American Music, Journal of American History, Volume 90, Issue 4, March 2004, Pages 1295–1324 Jitu K. Weusi, The Rise and Fall of Bl...