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<p>Kirk sits down with jazz piano legend Peter Martin to talk about Peter's musical background, his momentous early encounters with Wynton Marsalis and Kenny Kirkland, the jazz scene of the 1990s, how the Suzuki method works, and why jazz students today should be less shy about talking to their heroes. </p><p>Check out Peter's online jazz education program <a href="https://www.openstudiojazz.com">Open Studio</a>, as well as <a href="https://youllhearit.com">You'll Hear It</a>, the music podcast he co-hosts with Adam Maness. </p><p><strong>DISCUSSED/REFERENCED:</strong></p><ul><li>“Variations Sur ‘Le Carnaval de Venise” feat. Wynton Marsalis and the Eastman Wind Ensemble from <i>Carnival</i>, 1987</li><li>“Path Adjacent” Peter Martin w/ Gregory Hutchinson, Sarah Hanahan & Reuben Rogers from <i>Generation S</i>, 2023</li><li>“Bag’s Groove” by Milt Jackson from Miles Davis, <i>Bag’s Groove</i>, 1967</li><li>“Tea For Two” by Youmans/Ceasar, played by Art Tatum from <i>Piano Starts Here</i>...