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<p>When security cameras and facial recognition tools fail, law enforcement investigators fall back on a witness's memory and an artist's hand. Zachary Crockett's nose was a little bigger than that.</p><p> </p><ul><li><strong>SOURCES:</strong><ul><li><a href="https://www.loisgibson.com/#about">Lois Gibson</a>, forensic artist.</li><li><a href="https://www.jjay.cuny.edu/faculty/david-sarni">David Sarni</a>, adjunct professor at John Jay College of Criminal Justice.</li></ul></li></ul><p> </p><ul><li><strong>RESOURCES:</strong><ul><li>"<a href="https://www.nytimes.com/2013/08/19/nyregion/still-finding-value-in-the-vanishing-art-of-police-sketches.html">Fighting Crime With Pencil and Paper</a>," by J. David Goodman <i>(New York Times,</i> 2013)</li><li>"<a href="https://nationalpolice.org/something-sketchy-about-identifying-suspects/">Something Sketchy About Identifying Suspects</a>," by Stephen Owsinski <i>(National Police Association</i>).</li><li>"<a href="https://theiai.org/forensic_a...