
074 | 「一战再战」:告别宏大叙事,拥抱日常英雄 Beyond Grand Narratives, Toward Everyday Heroes
Published on Dec 5
1小时26分钟
0:000:00
【聊了什么The What】 本期节目,我们与哲学家袁源、友台美轮美换主播Lokin一同过度解读了保罗·托马斯·安德森(Paul Thomas Anderson)很有嚼劲的新作《一战再战》。这部电影是让小杨“撇着嘴进去,真香着出来”的年度惊喜,也是袁源觉得十分“就这”的陈词滥调。我们从加缪的《反叛者》出发,探讨暴力革命的伦理困境:当“妇人之仁”成为罪行,对抽象理念的狂热是否必然以牺牲具体的人为代价?Perfidia是一个挑战观众道德底线的反英雄,还是一位被男性凝视和刻板印象所困的复杂女性?Perfidia式的、为“爽”而战的景观式革命的反面,是否是Sensei式的、根植于邻里互助的日常英雄主义? For this episode, we invited philosopher Yuan Yuan and Lokin to join us in over-interpreting Paul Thomas Anderson’s chewy new film One Battle After Another. It’s a movie that some of us walked into with doubts and walked out of utterly charmed, while others find it to be a thoroughly “meh” bundle of clichés. Starting from Camus’s The Rebel, we dig into the ethical dilemmas of revolutionary violence: when “womanly compassion” becomes a crime, does fervor for an abstract ideal inevitably demand the sacrifice of concrete human lives? Is Perfidia a boundary-pushing anti-hero who defies our moral expectations, or a complex woman trapped within male gaze and stereotype? And if Perfidia’s spectac...