Songwriting/Master Copyright ft. Taylor Swift's Dispute

<p>This special episode is a remix of my English Writing 112 Essay, about songwriting and master copyright in the U.S., with the Taylor Swift and Big Machine Records dispute as a case study.</p><p>Music</p><p>Anti-Hero - Taylor Swift</p><p>Seize The Day - Paul McCartney</p><p>Is It Over Now (Taylor's Version) (From The Vault) - Taylor Swift</p><p>so american - Olivia Rodrigo</p><p>Risk - Gracie Abrams</p><p>Works Cited</p><p>Dahl, Kurt. "A Change is Gonna Come: The Future of Copyright and the Artist/Record Label Relationship in the Music Industry." <em>University of Saskatchewan Research Archive</em>, August 2009, <a href="https://harvest.usask.ca/server/api/core/bitstreams/db015eb2-6e4c-4265-8583-198188f326b6/content">harvest.usask.ca</a>.</p><p>Dailey, Hannah, and Kirsten Spruch. "A Timeline of Taylor Swift and Scooter Braun’s Public Feud." <em>Billboard</em>, 1 July 2019, <a href="https://www.billboard.com/lists/taylor-swift-scooter-braun-feud-timeline/borchetta-responds-to-swift-wi...